Private Life opens on the lower half of Rachel’s body, expectant. She’s clothed in only underwear, supine in dim lighting, and a male voice asks from behind, “Are you ready?” A needle appears out of thin air, confirming that she’s not about to have sex, as the film’s positioning would have you believe; she’s about […]
Michael Jones has worked in many different industries — as a manager for Brooklyn synthpop duo Holy Ghost!, at Vice Media in the early days of online video, in the emerging New York City 2010s tech scene at places like Cameo and Dash, and then doing brand development for a company transforming small business lending
Art and science are symbiotic at Pioneer Works’ magazine “Broadcast” Read More »
In her book-to-screen take on Bonjour Tristesse, writer Durga Chew-Bose crafts a lush atmosphere as meticulously and stylishly as she did in her 2019 essay collection Too Much and Not the Mood. It’s not easy to adapt one of the more beloved pieces of 20th-century literature, and Chew-Bose had the additional shadow of Otto Preminger’s
Durga Chew-Bose Reimagines Françoise Sagan’s Bonjour Tristesse Read More »
You wouldn’t expect an album titled Heavy Metal to be performed in a church. But then again, nothing about Cameron Winter’s debut solo album, which he performed at Greenpoint’s St. John’s Lutheran on April 21st and 22nd as part of his worldwide tour, is as expected — one of the many reasons it blew up
22 year-old Cameron Winter has got the buzz Read More »
