Arts

Willem de Kooning: The Breakthrough Years, 1945–50

One of the current exhibitions at the newly reopened Princeton University Art Museum, is “Willem de Kooning: The Breakthrough Years. 1945–50.” This compact survey offers a needed reifying of the late longtime downtown artist’s pivotal early abstractions and semi-figurative works including such noted pieces as “Secretary” (1948) and “Black Friday” (1948), the latter work culled

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A Memorable Meeting and the Merry Month of May In The Bohemian Continuum

The scene was Shalom Neuman’s exhibit at Art Expo on Pier 36 last month. Anyone aware of the ongoing art history that began in the East Village in the 1980s knows that Shalom is a major figure, an artistic visionary with the drive to explore and realize that vision while generously sharing the bounty that

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Theater: A walk down Lonely Street: A theatrical take on romantic catastrophe with “Heartbreak Hotel”

It’s almost inevitable. At each performance of Heartbreak Hotel, a theater piece by New Zealand playwright and performer Karin McCracken (co-created with director Eleanor Bishop), someone is likely to show up expecting a show about Elvis Presley. Instead, they find themselves immersed in a semi-autobiographical performance experience investigating the agonizing (and often prolonged) psychological and

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Karin Coonrod’s Masterful Spatial Dramaturgy in King Lear

Having first premiered in 2024, Compagnia de’ Colombari’s production of King Lear triumphantly returned to the stage at La MaMa Etc.’s Ellen Stewart Theatre from January 23 to February 8, 2026. A masterclass in classical text, the production features Paul Pryce (Kent), Tony Torn (Oswald), Julian Elijah Martinez (Edmund), Michael Potts (Gloucester), Tom Nelis (France),

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TNC’s Croquet Player, a great night of theater, both entertaining and thought provoking

In the old days, when I felt like hearing music without having to go through the Village Voice ads, I would sometimes just go to West 4th and Mercer, buy a ticket and walk into the Bottom Line. Allan Pepper and Stanley Snadowsky never seemed to book a bad act, at least as far as

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