Mark Dundas Wood

Originally from Oregon, Mark worked as an arts journalist and teacher before moving to New York City in 1997. His early work as a theater journalist was at Willamette Week and The Oregonian. He received MFA degrees in creative writing (University of Oregon, 1989) and in dramaturgy (Columbia University, 2000).

​In New York City, he has contributed reviews and articles to various publications both in print and online, including American Theatre, Back Stage, theaterscene.net, and The Clyde Fitch Report. He currently writes about cabaret at bistroawards.com and has served as an associate producer for the Bistro Awards show since 2022.

As a dramaturg and/or literary manager, Mark has worked for such companies as New Professional Theatre and the New York Musical Festival. He is currently literary manager for Broad Horizons Theatre Company in NYC. His articles have appeared in Prologue and Illuminations, publications of the Oregon Shakespeare Festival. The Tragic Muse, his stage adaptation of the Henry James novel, was performed at New York City’s Metropolitan Playhouse as part of its Gilded Stage Festival in 2014.

In recent years, he has concentrated on lyric writing, “Too Much Love,” a song he wrote with composer Tracy Stark, received a Manhattan Association of Cabarets (MAC) Award for Comedy/Novelty Song in 2026.

Theater: A walk down Lonely Street: A theatrical take on romantic catastrophe with “Heartbreak Hotel”

It’s almost inevitable. At each performance of Heartbreak Hotel, a theater piece by New Zealand playwright and performer Karin McCracken (co-created with director Eleanor Bishop), someone is likely to show up expecting a show about Elvis Presley. Instead, they find themselves immersed in a semi-autobiographical performance experience investigating the agonizing (and often prolonged) psychological and […]

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Brain Insurance: “The Reservoir” marks NYC debut of playwright Jake Brasch

“Here we go. Here comes the sober. I hate this part, when the dam breaks and the questions come pouring in: How long was the blackout? Hours? Days? How did I get this cut? …” Those words are spoken by Josh, protagonist of Jake Brasch’s new play, The Reservoir, at Atlantic Theater Company (February 5

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Xhloe and Natasha prepare U.S. debut of “What If They Ate the Baby?” story by Mark Dundas Wood

The New York–based performance team of Xhloe Rice and Natasha Roland (billing themselves simply as “Xhloe and Natasha”) has — over the past four years — made tsunami-like splashes at the famed Edinburgh Fringe Festival. The duo has been feted in Scotland for their compelling two-hander dramas, which bring clown play to original texts and

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