What is the sound of being ghosted after going through a job interview? According to the prog-rock band KADAWA, it’s the crisp, complex rhythms, slashing riffs, and soaring major key guitar solo of “We’ll Get Back to You” off their album, Post-Graduation Fees. Take something larger and not focussed on an individual’s experience: What is […]
Spend time on social media, especially text-based sites like Bluesky (that’s what I use—and enjoy—now after deleting my account at the neo-Nazi’s site) and you eventually find people decrying a lack of media literacy. What they mean by that is the ability to see the difference between assertion and fact, to know what’s reporting and
JAZZ: “Evil is Always a Bad Stylist” Read More »
As a critic, I’m wary of addressing issues of taste. Taste is personal, it’s what we like and what we don’t—I love how in Italian you say you like something with “mi piace,” which means “it pleases me”—and there’s very little taste-wise that is truly bad. Bad taste, done with affection, is kitsch, which is
Jazz: Being Here, Now Read More »
This is just one calendar year, which may be sufficient time in the pop music manufacturing industry to spot a trend, but is a far less meaningful span in music that wrestles with its own history—the old is constantly being renewed and incorporated with ideas from other genres—as jazz does, and that is so free
Grella on Jazz: Best Jazz Albums 2024, by George Grella Read More »
Moral panics have been around long before Socrates was forced to commit suicide for corrupting the youth of Athens. Since civilization began, there’s been an endless cycle of social/political/artistic change provoking reaction from those who are fearful of any change whatsoever, or even, in Mencken’s immortal words, “the haunting fear that someone, somewhere, may be
Crime Jazz By George Grella Read More »
