Eve Zanni: A Different Kind of Capital, by Layla Law-Gisiko
On Friday afternoons, the community room at Westbeth artist building performs a small act of defiance. The room itself is not terribly remarkable: a low ceiling, a row of stackable chairs, the linoleum has the matte tiredness of civic space. Nothing about the room announces transcendence, except maybe the grand piano. By a quarter past […]
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