Liquid Years. The last day of last month marked 40 years since the release of Philip Glass’s Songs from Liquid Days. At the time, Glass was riding an unprecedented wave for a composer in the classical world. His soundtrack to the film Koyaanisqatsi four years earlier had put New York Minimalism before a much wider […]
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\ Sultry haze of balmy nights. The Egypt-born, Quebec-based singer/composer/producer Nadah El Shazly has built a following in recent years with a blend of club music experimentation and Arabic tradition. She’s been a big part of the rich and exciting music coming out of the Beirut / Cairo / Istanbul triangle (Karkhana, Praed Orchestra!) as
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Punk’s not dread. Back in the ’90s, Sonic Youth’s Kim Gordon had “Girls invented punk rock, not England” emblazoned on a t-shirt. Photos of her sporting the slogan circulate every so often—I’ve been seeing them again lately on social media. I’m not sure what it means, I’m not sure if I agree, but I’m not
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Apparitions of the Eternal Earth. On their monolithic 2022 debut, Eyes Like Predatory Wealth, the Houston, TX trio Apparitions set forth a slow burn with three tracks running, in sequence, 10, 20 and 30 minutes. The fire has been spreading ever since. In 2023, they issued the digital-only Semel, with three poundingly untitled tracks, and this
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David Lynch sat in a strange seat of power during the 1990s. He had put a tale of psychic terror about a victimized cheerleader addicted to cocaine on network television. He then retconned the notion of Elvis Presley movies to include shocking levels of physical and sexual violence and took it to Cannes. And he
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Ghosts in the guitar. The wonderfully inventive Jules Reidy has been going through a period of transition of late. Affairs of the heart, a change in gender identity and a renewed interest in mysticism have all, it seems, led to Ghost/Spirit (CD, LP, download out Feb. 21 from Thrill Jockey). While they’re often heard in
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Sixth time around. The British funk band Cymande’s fame was momentary 50 years ago or so. They released three notable albums [their self-titled 1972 debut, followed by Second Time Round (1973) and Promised Heights (1974)] with less essential efforts in 1981 and 2015, toured with Al Green and Patti Labelle and headlined at the Apollo before calling it quits. Their grooves
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Simple pleasures. On Only the Void Stands Between Us (LP and download released last month by Silver Current Records), Julie Beth Napolin sings of distance and intimacy. She sings quizzically of a fire coming to burn, it seems, those who don’t deserve to survive, and she sings very directly about praying for the living
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Something in 4/4 time. Late last year, Robert Fripp—the lynchpin between ambient music and prog rock—appeared on an episode of Daryl Hall’s home cooking and barn jam show Live From Daryl’s House. The series has been airing intermittently since 2007 and is generally a pleasure. (All of the episodes can be found on YouTube.) The
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The beginning of another new age. The year that’s just passed might go down in history as the one in which New Age music at last made its triumphant return. The media likes nothing more than a counterintuitive tale, and so a rapper long off the scene, André 3000, of the groundbreaking Atlanta duo
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