Arts

THEATER: Weird birds don’t quite stick the landing in Fowl Play: Conference of the Birds, review by Oscar Fock

Fowl Play: Conference of the Birds is an experimental play. Let’s get that out of the way before anything else, as without that knowledge, the viewing experience will be quite confusing. Now, Fowl Play is also not a puppet theater. Let’s get that out of the way, too, as, again, without that knowledge, the viewing

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Seeing great art free in downtown Manhattan, by Stephen DiLauro

Susan Swartz’s exhibition is enjoying an extended stay at Georges Berges Gallery in SoHo. Visitors will be able to view the vibrant, intriguing works now on display until November 20. Both a nature and abstract painter, in the same compositions, Swartz’s work is provoking discussion worthy of a major talent, which she is. The curator

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Crime Jazz By George Grella

Moral panics have been around long before Socrates was forced to commit suicide for corrupting the youth of Athens. Since civilization began, there’s been an endless cycle of social/political/artistic change provoking reaction from those who are fearful of any change whatsoever, or even, in Mencken’s immortal words, “the haunting fear that someone, somewhere, may be

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Review of “The Premonition,” by Banana Yoshimoto; translated from Japanese by Asa Yoneda Review by Michael Quinn

Authors sometimes see renewed interest in their old work, especially if they’ve made a name for themselves. These older titles may not be as good as their most popular books (though occasionally, they’re better). Yet it’s always interesting to dip into an author’s back catalog to see how they’ve evolved. Early attempts often have a

Review of “The Premonition,” by Banana Yoshimoto; translated from Japanese by Asa Yoneda Review by Michael Quinn Read More »