Arts

From Beckett at the NYFF to America’s Crack-Up in Glorious VistaVision, by Dante A. Ciampaglia

This is the third New York Film Festival I’ve attended as a critic, and increasingly I’ve found myself foregoing the marquee titles — this year represented by the likes of Luca Guadagnino’s After the Hunt and Bradley Cooper’s Is This Thing On? (and, for some reason, Springsteen: Deliver Me from Nowhere) — for the more […]

From Beckett at the NYFF to America’s Crack-Up in Glorious VistaVision, by Dante A. Ciampaglia Read More »

Quinn on Books: Nice Girls Don’t Go to the Bowery Review of “The Bowery,” by David Mulkins, by Michael Quinn

Before there was a city, there was a crooked path. Today, we call it the Bowery—one of New York’s oldest streets and most fiercely contested strips of cultural real estate. Winding from Chatham Square to Cooper Square, it predates the city’s grid and bears the weight of centuries: from Lenape footpath to Dutch wagon trail to

Quinn on Books: Nice Girls Don’t Go to the Bowery Review of “The Bowery,” by David Mulkins, by Michael Quinn Read More »

Private Life is a criminally slept-on New York City movie about hope, by Brookie Mcilvaine

Private Life opens on the lower half of Rachel’s body, expectant. She’s clothed in only underwear, supine in dim lighting, and a male voice asks from behind, “Are you ready?” A needle appears out of thin air, confirming that she’s not about to have sex, as the film’s positioning would have you believe; she’s about

Private Life is a criminally slept-on New York City movie about hope, by Brookie Mcilvaine Read More »